Articles

“Metamorphosis and Modulation: Darren Aronofsky’s Black Swan,” in Denson and Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016).

Deja Vu: Textures of Time.” Movie: A Journal of Film Criticism 6 (2015). 19-26.

“Superheroes and Sensibilities: Trauma and Innervation in Iron Man 3.” Imaginaires 19 (2015).

“Uncanny Cameras and Networked Subjects.” Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon. Eds. Linnie Blake and Xavier Aldana Reyes. London: I.B.Tauris (2015). 42-53.

“Posthumous Subjects.” The Palgrave Handbook of Posthumanism in Film and Television. Michael Hauskeller, Thomas D. Philbeck, Curtis D. Carbonyl (eds). Palgrave Macmillan, 2015. s. 339-348.

“Bullet Time: A Temporal Icon”. Akademisk kvarter 10, 2015.

“Collision and Movement in Nicolas Winding Refn’s Drive“. Non-Place: Representing Placelessness in Literature, Media, and Culture*. Mirjam Gebauer, Helle Thorsøe Nielsen, Jan T. Schlosser, and Bent Sørensen (eds.). Aalborg: Aalborg University Press, 2015.

“Terminal Films”. Journal of the Fantastic in the Arts 25(2-3), 2015. 264-277.

“‘The Earth Died Screaming’: Tom Waits’ Bone Machine“. Fred Botting & Catherine Spooner (eds). Monstrous Media/Spectral Subjects: Imaging Gothic from the Nineteenth Century to the Present. Manchester: Manchester University Press, 2015. 73-85.

“Between Media: David Mack’s Kabuki“. Rikke Platz Cortsen, Erin La Cour, and Anne Magnussen (eds). Comics and Power: Representing and Questioning Culture, Subjects and Communities. Cambridge: Cambridge Scholars Press, 2015. 72-88.

“Biopoetics of Control and Resistance in William Burroughs’ The Nova Trilogy” in Prospero XIX, pp. 165-184.

Of Male Bondage: Violence and Constraint in Nicolas Winding Refn’s Only God Forgives. Akademisk Kvarter, Vol 8. 2014, 27-36.

“Digital tid på Vimeo”. in Online Videoer: På sociale medieplatforme. red. / Ole Ertløv Hansen; Lennard Højbjerg. 2013. udg. Aalborg Universitetsforlag, 2013. 95-112 (MÆRKK – Æstetik og Kommunikation, Vol. 2).

“Hyper Attention Blockbusters: Christopher Nolan’s Batman Trilogy”. In Akademisk kvarter, Vol. 7, 2013, 143-157.

Requiem for a Dream som mindre film: Darren Aronofskys postfilmiska estetik”. I gränslandet: Nya perspektiv på film och modernism. 1. udg. Gidlunds bokförlag i Hedemora, 2013. 180-198.

“Suburban Apocalypse: The Haunted House of Capitalism”. in Terminus: The End in Literature, Media and Culture. Robert W. Rix & Brian Russell Graham (eds) Vol. 5. Aalborg: Aalborg Universitetsforlag, 2013. s. 185-201.

“Posthuman Rights”. Akademisk kvarter, Vol. 5, 2012, 101-112.

“Sound of the Apocalypse”. Journal of South Texas English Studies, Vol. 3, Nr. 2, 01.01.2012, 40-59.

“Things Come Alive: Rise of the Zombies”. in Monstrologi: Frygtens manifestationer. Jørgen Riber Christensen & Steen Ledet Christiansen (eds). Aalborg : Aalborg Universitetsforlag, 2012, 147-164.

“Screen Spectrality: Gil Scott-Heron’s and Chris Cunningham’s New York Is Killing Me”. in Spøgelser. Genfærdet som kulturel og æstetisk figur. Steen Christiansen; Brian R. Graham; Louise Mønster; Peder Kaj Pedersen; Jan T. Schlosser. (eds), Aalborg Universitetsforlag, 2012, 71-81.

“Body Refractions: Darren Aronofsky’s Black Swan. Akademisk kvarter, Vol. 3, 2011, 306-315.

“The Bridges of Americana County: Three Images of Clint Eastwood”. in Kulturtrafik: Æstetiske udtryk i en global verden. Steen Ledet Christiansen; Kim Toft Hansen; Peter Stein Larsen; Louise Mønster; Peder Kaj Pedersen (eds). Aalborg: Aalborg Universitetsforlag, 2011, 245-260.

“Transgression Now”. with Charlie Blake. Akademisk kvarter, Vol. 3, 2011, 4-16.

“Kødets fristelser”. Akademisk kvarter, Vol. 1, 2010, 32-38.

“Airport Heterotopia: Le Guin’s Subversive Places”. Language and the Scientific Imagination: Proceedings of the 11th Conference of the International Society for the Study of European Ideas (ISSEI), Gaudeamus: Helsinki University Press, 2010.

“Cloverfield’s Monstrosity: Ideology and Terror.” Our Monstrous (S)kin: Blurring the Boundaries Between Monsters and Humanity. Sorcha Ní Fhlainn (ed). Oxford: Inter-Disciplinary Press, 2010, 195-204.

“Speaking the Undead: Uncanny Aurality in Pontypool. Cinephile, Vol. 6, Nr. 2, 2010, 4-8.

“The Shadow of Grey: Lars von Trier’s Element of Crime“. Fingeraftryk: Studier i krimi og det kriminelle. Kim Toft Hansen & Jørgen Riber Christensen (eds). Aalborg: Aalborg Universitetsforlag, 2010, 95-106.

“Intermedial Escape: Michael Chabon’s The Amazing Adventures of Kavalier and Clay“. in Interaktioner: Om kunstarternes produktive mellemværender. Peter Stein Larsen; Peder Kaj Pedersen; Ernst-Ullrich Pinkert; Bent Sørensen (eds). Aalborg : Aalborg Universitetsforlag, 2009, 37-58.

“The “Rat” in Fraternity: China Mieville’s King Rat.” Marvellous Fantasy. Jørgen Riber Christensen (ed). Aalborg: Aalborg Universitetsforlag, 2009, 107-124.

The Truth of the Word, the Falsity of the Image : Transmetropolitan’s Critique of the Society of the Spectacle. / Christiansen, Steen Ledet.
Elective Affinities: Testing Word and Image Relationships. red. / Catriona MacLeod; Véronique Plesch; Charlotte Schoell-Glass. Amsterdam/New York : Rodopi, 2009. s. 147-158 (Word and Image Interactions, Vol. 6).

“Written in Skin: Suicidegirls”. Nordlit, Nr. 24, 2009, 45-52.

“Amerikanske Utopier: utopiens brug i Hollywood og amerikanske independent film”. Boeygen, Vol. 18, Nr. 2, 2006, 47-54.

“Continuity Breach: The British Revision of the American Superhero”. Cultural Text Studies 2: Transatlantic. Camelia Elias & Andrea Birch (eds). Aalborg: Aalborg Universitetsforlag, 2006, 109-132.

“Hollywood as Cultural Text”. Cultural Text Studies 1: An Introduction. Camelia Elias & Bent Sørensen (eds). Aalborg: Aalborg Universitetsforlag, 2006, 171-186.

“Transtextuality, Paranoia, and Apophenia in Pattern Recognition“. Cultural Text Studies 1: An Introduction. Camelia Elias & Bent Sørensen (eds). Aalborg: Aalborg Universitetsforlag, 2006, 229-242.

“Why I Have Never Seen Derrida”. 5 Faces of Derrida. Bent Sørensen (ed). Department of Languages and Intercultural Studies: Aalborg Universitetsforlag, 2005, 23-29.

“Adapting Emotions in The Hours.” in Open Windows: Remediation Strategies in Global Film Adaptations. Kyle Nicholas & Jørgen Riber Christensen (eds). Aalborg : Aalborg Universitetsforlag, 2005, 79-95.

“The Postmodern Fantastic”. in Anglo Files. Journal of English Teaching, Nr. 135, 2005, 62-67.

“Of Questions and Positions: Or, What Does It Mean to Theorize Media?”. in Culture, Media, Theory, Practice: Perspectives. Ben Dorfman (ed). Aalborg: Aalborg Universitetsforlag, 2004, 225-233.